ISLAMIC EAST IN THE INTERPRETATION OF RUSSIAN WRITERS: A COMPARATIVE REVIEW OF FANTASTIC AND REALIST TEXTS
Abstract
This review article examines how Russian writers have imagined, described, and ideologically framed the “Islamic East” across two broad literary modes - fantastic (romantic “Eastern tales,” demonological narratives, fairy-tale orientalism, and exoticized adventure plots) and realist (travel writing, historical prose, and psychologically detailed war narratives). Treating “Islamic East” not as a stable geographic unit but as a culturally coded literary construct, the article surveys the key representational patterns through which Muslim societies of the Caucasus, Crimea, the Volga–Ural region, and Central Asia are incorporated into Russian
literary worldmaking
References
Alekseev, P. V. (2014). Ориентализация пространства в «Путешествии в
Арзрум во время похода 1829 года» А.С. Пушкина. Вестник Томского
государственного университета 9(122), 401-422.
Ani, K. (2017). Tolstoy’s Enigmatic Final Hero: Holy War, Sufism, and the
Spiritual Path in Hadji Murat. The Russian Review 76(1), 38-52.
Akhmedov, R. Sh. (2017). “The End of Eternity” as a Novel of Prevention.
European Research 11, 236-238.
Akhmedov, R. Sh. (2018). Voyage to Tomorrow: Modern Arabic Science
Fiction. Arabic Language, Literature & Culture 3(3), 37-42.
Akhmedov, R. Sh. (2020). Social and Philosophical Ideas through
Heterotopia: Asimov, Dick and Mieville. GAP Bodhi Taru: A Global Journal of
Humanities 3(3), 32-39.
Günther, C. (2022). The Alien Republic: Narratives of Deterritorialization in
Imaginations. Slavic Review 81(1), 55-76.
Holt, K. M. (2013). The Rise of Insider Iconography: Visions of Soviet
Turkmenia in Russian-Language Film and Literature, 1920-1935. PhD dissertation,
Columbia University.







